Where to watch 127 Hours (2010)

Trivia & production notes

• Danny Boyle pursued making a film about Aron Ralston's ordeal for four years before beginning production, having written a treatment that screenwriter Simon Beaufoy adapted into a screenplay.
• Boyle intentionally hired two cinematographers, Anthony Dod Mantle and Enrique Chediak, to split the first unit work 50-50 by trading off with each other, allowing him and James Franco to work extended days without exhausting the crew.
• The prosthetic arm used in the amputation scene was constructed in multiple layers including fiberglass and steel bone, silicone muscle and tendon, functional veins and arteries, and finally a translucent silicone outer layer with subcutaneous fat.
• Three different prosthetic arms were created for the film, with two designed to reveal the internal anatomy and another to replicate the external appearance.
• James Franco experienced genuine distress when seeing blood on the prosthetic arm during filming, and his reactions in those scenes were authentic emotional responses.
• Franco found the filming physically grueling, accumulating scars during production and experiencing exhaustion that blurred the line between acting pain and actually enduring it.
• A. R. Rahman, who had collaborated with Boyle on Slumdog Millionaire, composed the film score, with the soundtrack released in November 2010.
• During festival screenings before theatrical release, audiences reported fainting, vomiting, and panic attacks in response to the film, with medical personnel required at multiple venues including Telluride, Toronto, and a special Pixar screening.
• The film was selected to close the 2010 London Film Festival and premiered at multiple major festivals before its limited U.S. release in November 2010.
• Roger Ebert awarded the film four stars and described it as 'like an exercise in conquering the unfilmable,' while Richard Roeper believed Franco deserved an Oscar nomination for his performance.

Adapted from the Wikipedia article 127 Hours, available under CC BY-SA 4.0. Rewritten for StreamShack; errors are ours — tell us about them.